Watch this space: Jordan Peele’s newly minted horror classic is sure to rise in the rankings. Taking cues from grand master George A. Romero and his counterculture-defining Night of the Living Dead, Peele infused white liberal guilt with a scary racial subtext; the ‘sunken place’ is precisely the kind of metaphor that only horror movies can exploit to the fullest. During its theatrical run – which stretched into a summer that also saw the white-supremacist Charlottesville rally – Get Out felt like the only movie speaking to a deepening divide.
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